Kendo Terminology A-Z
Kanji caveat: Japanese terms are written using adapted Chinese
characters rather than the western alphabet. Therefore, words that "sound
the same" may have radically different meanings and are written differently
in kanji (for example, the term "do" meaning "way"
or "path" and "do" meaning "ground" are
actually different words). Where a similar-sounding term is written in
different kanji, it is listed here as a separate term. We hope to add
the kanji for the terms listed below in the near future.
aizome: A special blue dye used in the making of martial art uniforms,
such as the hakama.
ayumiashi: A normal stride or walk.
bogu: Protective armor used in kendo.
bokken: A wooden sword used in martial art and kendo training
also known as a bokuto.
bokuto: A wooden sword used in martial art and kendo training
also known as a bokken.
budo: Martial way, a term used to signify modern derivatives (with
philosophical and moral aims) of bujutsu fighting traditions, such as
kendo, iaido, judo, karatedo and others.
budoka: A student or practitioner of the marital arts.
bujutsu: Marital techniques, a term used to signify the combative
martial arts weapon systems once used by the professional warrior (samurai
or bushi) as contrasted with "budo."
chi: Earth or ground
chi: Chinese term for "ki," or intrinsic or vital energy.
chika-ma: (1) Close interval., (2) Another meaning of chikaku.
chikaku: A position of advantage outside of an opponents front
chu: Middle, or center.
chudan no kamae: A stance in kendo in which the opponent is faced
directly and the shinai (bamboo practice sword) is held at the center
of the body.
daisho: A term signifying the two swords (one long and one short)
worn by the samurai that signified their status.
dan: A category used to describe the rank (black belt or dan level)
of an advance practitioner of a martial art.
debana waza: A method of forestalling an opponents attack at the
initiation of an opponents action.
deshi: Disciple, another word for montei.
do: "Way." or "path." A term often used as
a suffix as in iaido, judo, kendo, aikido and karate-do to indicate the
way or road toward self-development and denotes a spiritual path followed
by students of budo disciplines.
do: Chest protector in kendo. Also refers to the target area covered
by the chest protector.
dojo: A martial arts training hall.
dojo kun: Dojo or martial arts precepts often repeated at the
beginning or end of training.
doshu: An inherited title signifying the heir to the control of
a particular martial discipline or budo method.
gedan no kamae: Stance in which one faces the opponent directly,
but the shinai (bamboo practice sword) is held with the tip pointing towards
the opponent's knees.
gi: A training uniform in the martial ways, such as judo and karate-do.
Short for keiko gi.
hakama: Traditional pleated divided pants.
hanmi: (lit. profile) Triangular stance, where one foot is in
front of the other (equal distribution of weight) and where the hips are
at a 45 degree angle to the opponent.
hanshi: An honorary certificate (a title normally written, but
not voiced) signifying a master, usually issued to those who have achieved
a ninth or tenth dan.
hantei: A judgment or decision as in a tournament.
hara: Lower abdomen, the center of the body and body weight and
locus of intrinsic energy, or "ki" (chi in Chinese).
haragei: Stomach wisdom, the development of the center (lower
hara) for power and perception (intuition).
harai waza: Warding off techniques.
hashi: The boundary area of a match or contest area.
hasso no kamae: A stance where the sword or shinai is held at
the right side of the head, one of the basic stances (kamae) in the sword
haya suburi: Striking practice where sword strikes are done quickly
while moving towards and then away from the target.
hidari-do: The left of the torso protector, a target in kendo.
hidari-men: Left side of the head, a target in kendo.
hikiwake: A draw (no winner) in a kendo match.
hiki waza: Techniques performed while stepping back.
himo: Strings, as on practice uniforms, protective equipment or
hodoku: A posture that suggests non-aggressive intent.
iaido: The way of sword drawing, a modern budo specialty discipline
derived from drawing and sheathing techniques for the katana (Japanese
curved long sword) that were once practiced as part of kenjutsu, or combative
in/yo: The Japanese terms for the Chinese yin/yang (passive/active
ippon: One point.
issoku-itto no ma: The basic combatant distance in kendo where
one step forward will bring the two participants into striking range.
jin: The Confucian concept of benevolence
jin: Tendons or muscles.
jiyu-renshu: Free fighting in kendo.
jodan no kamae: A sword stance (kamae) where the sword is held
with both hands high above the head, elbows spread wide to maximize vision,
one of the basic combative engagement postures in swordsmanship and kendo.
jutsu: Art, technique, or system of techniques (sometimes spelled
kaeshi: A counter technique.
kaeshi waza: Deflecting a shinai (practice sword) by using the
power of the opponent's strike.
kai: Association, a modern term sometimes used to signify a school
kakari geiko: Attack practice.
kake goe: A shout that demonstrates unity of spirit and focus,
usually of the intended target area.
kamae: Combative engagement postures.
kami: Spirit or deity.
kamiza: A place of honor or deity seat often the front wall of
a dojo were there may be a Shinto altar, scroll or picture of a teacher
kansetsu waza: Joint techniques or attacks.
kappo: Resuscitation techniques, also known as katsu.
kata: A prearranged sequence of movements (techniques) used in
martial arts training.
katana: A Japanese long curved sword.
katsu: Resuscitation techniques, also known as kappo.
keikogi: The upper part (jacket) of traditional training uniform
used in budo.
kendo: The "way of the sword," a modern ritualized and
sports version and heir of Japanese combative sword arts and the bushido
social, cultural, and philosophical heritage, a discipline which is neither
a viable combat art nor a pure sport, but can be more truly characterized
as a spiritual discipline.
kendoka: A kendo student or practitioner.
kenjutsu: Combative sword techniques developed by Japanese professional
keppan: Blood seal, a vow or oath taken by a prospective student,
often with the letting of blood, before being accepted within a traditional
Japanese martial arts discipline.
ken zen ichi mi: A kendo training motto or saying: "the goals
of the sword and zen are one."
ki: Vital energy of the universe and man, thought to nurture the
body and vital organs, promote health and serve as a source of power.
kiai: A type of cry (shout) common to many martial art forms,
which can have an incredible emotional impact. It is intended to symbolize
and encourage the unification of intent, technique, and spirit into a
potentially devastating strike. To hear the kiai in a kendo training hall,
however, is to experience kiai as the unity of body and spirit. It was
not merely a symbolic expression of that condition, it is a palpable expression
of it. It is also the contention of some Zen masters that the shout of
a master can in some cases actually propel a student into satori (enlightenment).
kirikaeshi: The repetition of strokes of the shinai, often done
as an opening exercise (kendo)
kiriotoshi: The single technique that was the basis of the Itto
Ryu school of swordsmanship.
kissaki: The point of a shinai or tip of a sword.
koan: Seemingly unsolvable riddles used by some sects of Zen to free
the mind of logical thought and speed the attainment of enlightenment.
kobujutsu: Classical martial warrior arts, also often called kobudo.
kodachi: A Japanese short sword; another term for wakizashi.
kote: Protective mitts (part of kendo armor) that protect the
hands and wrists that are a target in kendo.
kuji-in: Ritualistic hand postures and linking of fingers (mudras)
into specific patterns used the martial arts and ways to develop various
mental states (self-hypnosis) and esoteric powers.
kuzushi: Breaking of an opponents balance.
kyoshi: Teacher. Depending on how kanji are written, either means "teacher"
in the generic sense, or if kanji for "shi" is synonymous with
"samurai," used on ranking certificates in certain martial arts
styles as an indication of teaching rank. Usually issued to those who
have achieved a seventh or eight dan.
mate: Wait, pause, stop.
ma-ai: Combative engagement distance.
mei jin: A true master, someone who has achieved technical, mental
and spiritual perfection in their art.
men: (1) Head, (2) Head/face protector which is part of kendo
protective armor, (3) Kendo target, the middle of the head.
men buton: The wing-like sides of the men.
men tori: A command to remove the men, or face/head protector
used at part of kendo armor.
michi: "Way," another pronunciation for the Japanese
migi-do: The right side of the torso protector, a target in kendo.
migi-men: Right hand side of the head, a target in kendo.
mikkyo: Esoteric Buddhist disciplines.
mokuso: (1) Meditative sitting, (2) Command to close the eyes
and begin meditation.
montei: Disciple, another word for deshi.
mudra: Hand and finger configurations used by esoteric Buddhism
(Shingon) to achieve mental states and speed enlightenment.
mushin: An empty and clear mind: a mind not fixed or occupied
by thought or emotion and thus open to everything.
mushin no shin: A Zen term meaning "mind of no mind."
muto: "No sword," an empty hand technique of the Yagyu
Ryu as well as the name of Yamaoka Tesshu's school of Itto ryu swordsmanship.
nidan waza: Two step techniques.
nuki waza: Techniques that utilize dodge tactics.
oji-waza: The practice of feints, deflections or parrying followed
up with an immediate counter of a technique.
okugi: Hidden or esoteric principles, or hidden (inner) mysteries
or practices in the martial arts and ways.
okuriashi: A sliding step commonly used in kendo.
onegaishimasu: A formal way of asking for a favor which in kendo
and other martial arts has come to mean, "please practice with me,"
the wording used (often with a seated bow) to start practice.
osae waza: Immobilization and pinning techniques.
reigi (-saho): Courtesy, etiquette, good manners.
renshi: An honorary certificate (or title normally written, but
not voiced) signifying a trainer, usually issued to those who have achieved
a fourth through sixth dan.
renshu: (1) Exercise, practice, (2) Practice period.
ri: Underlying principles (of technique).
ri ai: The integration or blending of the major elements of sword
technique, such as kamae, zanshin and ma-ai in support of action.
saika tanden: A point on the lower abdomen, also called the center,
considered to be the body's center of gravity and locus of energy.
sage to: Carrying sword posture, the position used to carry a
sword into the practice or performance area.
sakigawa: The leather tip of a shinai (practice sword).
sandan waza: Three step techniques.
satori: A Zen term meaning enlightenment.
satsujinken: "The sword takes life," part of a saying
in the school of Yagyu Ryu swordsmanship.
sayu men: Strikes to alternate sides of the men (protective head,
face. throat armor).
seishin: Spirit, soul.
seishin o choetsu suru: Transcending thought of life or death.
seishin tanren: Spiritual forging, the higher purpose and end
of all physical technique in budo training. The oftentimes punishing physical
ordeal of kendo training is designed not to focus the attention on the
body but to help the trainee learn to transcend bodily cares and the duality
of perception that inhibits performance. For proper execution of kendo
techniques, the student must not concentrate either on physical mechanics
or theory as isolated elements. They must be united, blended together
by the spirit in the heat of training into a living whole. The hundreds
of thousands of repetitions of techniques are used to numb the mind, and,
in a sense, to free it from self-absorption. Despite its heavy competitive
emphasis, even thoughts of winning and losing are ultimately unimportant
seiza: Formal sitting.
sen: Initiative, to anticipate an attack.
sensei: Honorific expression used by students in addressing their
teacher or instructor.
shiaijo: Contest area.
shidachi: The defender in a kendo kata.
shikake waza: Catching an opponent off guard and attacking.
shimpam/shinípaní: A referee.
shin-budo: Modern budo.
shinai: A kendo practice sword made of bamboo strips.
shinai-geiko: An early term for kendo, a type of training in which
students used the shinai and protective armor.
shinken: A real sword.
shinken shobu: A real sword contest, fight to the death.
shiromusashi: A type of kendo training jacket.
shinzentai: A natural stance.
shomen-uchi: A strike to the head.
shoshinha: A beginner in kendo.
sonkyo: A crouching position used at the opening of kendo bouts
wherein partners show one another respect before starting.
suburi: Repetitious practice of basic sword strokes as in kendo.
suki: A momentary gap in defense or awareness which leaves an
opponent vulnerable to attack.
suriage waza: A method of sliding up a shinai (practice sword)
to ward off an shinai attack so as to be able to counter attack.
tachi: A Japanese long sword.
taiko: A large drum used for signaling in many traditional dojos,
such as to call class to order.
tare: A kendo hip protector.
tatami: Japanese floor mats that are made to several standard
sizes in Japan, but are most typically six by three feet and two and a
half inches thick. They are traditionally made of bundled straw with a
woven cover. For martial arts, modern tatami have a heavy-duty vinyl cover
and are used as flooring for judo, aikido and jujutsu.
te-hodoki: "Untying of hands," a probationary period
for new students (deshi) within a classical martial ryu (school or tradition).
tenegui: A small cotton towel with a wide variety of uses, including
to cover the kendoka's head under the men (face protector).
tenouchi: Gripping the shinai (practice sword).
to-ma: A distance of more than one step (in order to strike) from
tsuba: A hand guard on a shinai (practice sword) or sword.
tsuba-zerai: A kendo technique of closing with the opponent and
immobilizing their shinai (practice sword) at the hand guard.
tsuki: (1) Thrust. (2) In kendo a thrust to the throat (protected
by head armor) that is a target area.
tsukuri: A pulling action used to off balance an opponent in kendo.
uchi-dachi: The aggressor in kendo kata.
uchikomi: Attack practice done repeatedly.
uchi-otoshi waza: Practice of striking a shinai (practice sword)
down and immediately attacking.
uke: Partner, the person being thrown.
wakizashi: A Japanese short sword; another term for kodachi.
yame: Command to stop or finish.
zanshin: Passive, non-threatening stances and kneeling in such
a way as to be always ready to draw a sword indicate the fact that, despite
its ritualized nature, kendo is very much concerned with matters of life
and death. The dojo is not just a training hall but a place where a certain
awareness of the possibility of serious combat must constantly be maintained.
This acute awareness of one's surroundings and the potential for danger
is known as zanshin. Zanshin is the flip side of single-minded devotion
to technique. One must learn not to focus exclusively on your actions
but rather to be attentive and receptive to all activities surrounding
zarei: A bow from a kneeling position.
Zen Nippon Kendo Remei: All Japan Kendo Federation.
zendo: A Zen training hall.